Plautus Casina
Life Little is known for certain about the life and personality of Plautus, who ranks with as one of the two great Roman comic dramatists. His work, moreover, presents scholars with a variety of textual problems, since the manuscripts by which his plays survive are corrupt and sometimes incomplete. Watch stuart little full movie.
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Nevertheless, his literary and dramatic skills make his plays enjoyable in their own right, while the achievement of his comic genius has had lasting significance in the history of. According to the grammarian (2nd or 3rd century ce), Plautus was born in northeastern central. His customarily assigned birth and death dates are largely based on statements made by later Latin writers, notably in the 1st century bce. Even the three names usually given to him—Titus Maccius Plautus—are of questionable historical authenticity.
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The Casket Comedy Summary
Internal evidence in some of the plays does, it is true, suggest that these were the names of their author, but it is possible that they are stage names, even theatrical jokes. (“Maccus,” for example, was the traditional name of the clown in the (“Atellan plays”), a long-established popular that was native to the Neapolitan region of southern Italy; “Plautus,” according to Festus, derives from planis pedibus, planipes [flat-footed] being a dancer.) There are further difficulties: the poet (170– c. 86 bce), who made a study of his fellow Umbrian, seems to have distinguished between one Plautus and one Titus Maccius. Tradition has it that Plautus was associated with the theatre from a young age.
An early story says that he lost the profits made from his early success as a playwright in an unsuccessful business venture, and that for a while afterward he was obliged to earn a living by working in a. Approach to drama The Roman predecessors of Plautus in both and borrowed most of their plots and all of their dramatic techniques from Greece. Even when handling themes taken from Roman life or, they presented these in Greek forms, setting, and dress.
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Plautus Casina Summary
Plautus, like them, took the bulk of his plots, if not all of them, from plays written by Greek authors of the late 4th and early 3rd centuries bce (who represented the, as it was called), notably. Plautus did not, however, borrow slavishly; although the life represented in his plays is superficially Greek, the flavour is Roman, and Plautus incorporated into his Roman concepts, terms, and usages. He referred to towns in Italy; to the gates, streets, and markets of; to and the business of the courts; to Roman magistrates and their duties; and to such Roman institutions as the Senate. Not all references, however, were Romanized: Plautus apparently set little store by consistency, despite the fact that some of the Greek allusions that were left may have been unintelligible to his audiences., the more studied and polished playwright, mentions Plautus’s carelessness as a translator and upbraids him for omitting an entire scene from one of his adaptations from the Greek (though there is no of him for borrowing material, such being then regarded as wholly commendable). Plautus allowed himself many other liberties in adapting his material, even combining scenes from two Greek originals into one Latin play (a procedure known as contaminatio).