While slowly rising ISO from 850 to 80.000, I closed the apperture to compensate exposure until f8, after wich I kicked in the ND 4x filter of the camera and then continued with f1.8. The point where f8 is reached is different on each CP because they all need different exposure levels. The most exposure latitude of course is in the c-log based CPs like the Cinema c-log (original Canon-Log), the CinemaEx (NTown’s video-levels-optimized version of c-log) and NTCLOGcFe (a color-matrix modified version based on c-log). The worst is WideDR which tries to compress a very wide dynamic range while keeping some contrast, but at the cost of image quality. The Conclusion For maximum viewing pleasure jump over to vimeo and download the movie in the original uploaded format. Noise levels are worst on the WideDR for the above mentioned reasons. The signal processing is on it’s limits and see not only brighness noise but very nasty color noise with this very special Picture Profile which I dont reccomend for shooting unless you absolutely no idea how to grade or color correct an image.